Villi Asgeirsson

Drafting ideas...

black sand

Paperback Writer – how to get them?

by Leave a Comment

Late in 2022, I “remastered” my two existing novels, Under the Black Sand, and Blood and Rain. I made slight changes to the contents and redesigned the books. The cover of Black Sand is now completely different. Blood and Rain is now available in a hardcover for the first time. Both paperbacks are now larger, a digest format rather than a pocketbook.

I haven’t revisited my catalogue like this before, but then I’m not sure if two books can be called a catalogue. Now that Mont Noir is coming and we have three books, maybe we can speak of a small catalogue.

It’s all nice and fluffy to read eBooks, but what if you want physical books? That’s possible now. You can go to Lulu and get them, but if you subscribe to the newsletter, you can reply to it and state what you’re interested in.

Books I sell directly cost less and are autographed.

I do have a limited stock of hardcover books that retail for €25 plus shipping, but the paperbacks seem to be most people’s favourites. Therefore I’m creating bundles of those.

Any paperback is €15
Get two for €25
Get all three for €30

That last offer is as close to cost price as can be.

I have calculated shipping at:
Netherlands: €5
EU €15
UK €20
Iceland €25
USA + rest €30

All the shipping prices are for packages up to 2kg, so you’ll just pay that once.

Obviously, if you are close to me, I’ll be happy to bring them.

Go ahead and sign up for the newsletter and you’ll be able to get any of these deals.

End of Year Sale!

by Leave a Comment

My eBooks are distributed through Smashwords. It takes the work out of having to individually publish them on the multiple platforms. Only Amazon and the physical books are published separately.

Smashwords has a end-of-year sale and they offer authors to participate. As I have three books there, I was more than happy to take part.

If you go to my Smashwords profile, you will see Under the Black Sand, Blood and Rain and the Icelandic Undir Svörtum Sandi at 50% discount. This offer is valid from today until the end of the year. They are priced at $1.49, or the corresponding price in your preferred currency.

This is a lovely time to treat yourself to a Nordic Noir with a paranormal touch, a story of a young journalist stuck in the middle of the Spanish Civil War or if you read Icelandic, grab that unique novel that isn’t the same that everyone is reading.

Research and Writing

by Leave a Comment

This last week, received the hardcover copy of my “remastered” debut novel, Under the Black Sand. Flicked through it. Read chapter one and the beginning of the second chapter.

Thought I’d share this with you. Two paragraphs, but the first one sets the location. One paragraph that explains what kind of a neighbourhood it is.

How can I explain the building period, style of houses, the gardens and how the streets are not straight? I’ve been there but merely describing what I saw would be boring. Instead, I read a thesis by a university student on the designing of this part of the city. An Icelandic man went to Copenhagen in the first years of the 20th century to study medicine, but his passion was city planning. He later abandoned his profession as a doctor to design this part of the city. Taking into account, where the sun was in the sky at different times of the year, what the prevailing wind directions were, he designed a neighbourhood that would be pleasant to live in.

I can’t remember how long the thesis was, but it was tens of pages and I read it from start to finish. Translated into one paragraph in the novel. Was it a waste of time? Should I have included more of what I learned? I don’t think so. Putting in too much technical detail will distract from the story, not having a thorough understanding of the subject you’re writing about, will make your story sound hollow.

Never underestimate research. It’s one of the most fun parts of writing, it expands your understanding of the world and makes your writing more believable.

A Book and a Cover

by Leave a Comment

We shouldn’t judge a book by its cover, but we do. If it looks bad, nobody will give it a chance. If the cover doesn’t say anything about the story, it leaves the potential reader confused. I have tried to have a professional designer create a cover for one of my novels. It didn’t work. I wasn’t happy with the results. Granted, it was a low budget job, but the problem was that they didn’t understand the project like I did. Perfectly understandable, as I wrote the thing. I’m sure big name authors have larger budgets, the designers probably read the manuscripts and have physical meetings with the author and publisher, but that isn’t realistic when you’re self-publishing.

So, I create my own.

When I designed the original cover for Under the Black Sand, I used stills from the short film that inspired the novel. I suppose it was part loyalty and part convience. I loved the actors, they did a great job and I wanted them to be… immortalised? On the cover? And they were the characters. I imagined them as I wrote the story. Also, the typeface is the same as the one I used in the film.

At the beginning of November, I put the finishing touches to Mont Noir and finalised the cover. As I was working on that, I opened the Blood and Rain design next to it. They do partially follow the same characters and I wanted them to have a visual connection. Since I was busy anyway, I opened the Black Sand cover. It didn’t work for me. I guess too much time has passed, the short film is decades in the past and I felt the cover didn’t do the story justice. Obviously, no slight on the actors, they are still awesome, but the story had grown beyond the short film. (If this thing ever gets filmed, they will still be my first choice.)

That’s when I got a designer to create a new one. As I mentioned, it didn’t work. I tried it myself. Grabbed a photo I’d shot in the Icelandic highlands last summer and worked with that. It received positive feedback, so I decided to republish the book.

The Under the Black Sand cover shows a desolate road in Iceland. You see a car and something that appears to be a ghost. The cover depicts a core scene in the book, shows where it all goes wrong. It is just one scene, but it reverberates throughout the story. The old cover crammed at least three scenes in and it was cluttered. This is more clean and hopefully does the story more justice.

As I was writing Blood and Rain, I experimented with different designs. It was always going to be red and black, the anarchist colours. Oh, I actually started with a 1950s style 5 cent paperback design, but it’s a 1930s story and I think most books back then were some kind of canvas designs. Back to red and black. I had a full body female silhouette with a gun, but it was too James Bond. Settled on a face. The diagonal line is the anarchist flag. The typeface from the 1950s design survived, as I used a kind of Film Noir type. The pattern coming out of her eye represents that even if she isn’t the protagonist, everything that happens radiates from her.

Blood and Rain

Mont Noir is just around the corner. It follows some of the same characters. Anarchism has been abandoned by most of them, at least in their daily life, so the red colour is gone. Instead, we have the blue of the Dutch skies and water. You see the plane and the danger. Interestingly, the typeface I chose for Blood and Rain is more pronounced here, as the title of the book uses it.

Lastly, and this is kind of a bonus feature, I published a book of poetry and odd bits in 2018. I had seven copies printed and have given away two of them. I will never have more printed and may or may not give more away. Some of the poetry are song lyrics I wrote while playing with the guitar. I never recorded any of them and they are forgotten, but the words remain. Silent songs, a book that nobody will read. A very personal work. Book of Silence. The cover represents this, as it is me, in relative darkness, facing away.

Book of Silence

Designing covers is something I love doing. As I’m working on a story, they are a great distraction when I don’t feel like writing but want to be close to the project. If I had a large budget, I would probably get someone more skilled to design them, but I would always be very involved.

Remix, remaster, re-edit?

by Leave a Comment

When is a work of art finished? Is it ever, or do we simply abandon it when we’ve had enough?

In early summer 2013, I completed my debut novel, Under the Black Sand. It was done. After years of work, from a short film to a screenplay to a different screenplay to a novel, to a different novel to yet a different novel, it was finally done. I checked spelling, grammar, designed a cover and published on Amazon.

An early review mentioned error. The horror! I went back to work, ironed out whatever I could find and re-published. I would never have to look at the story again. In 2019, I did revisit it, after I decided to translate it into Icelandic. I changed the structure a bit, one communicates differenty in another language. I shortened the chapters. The original novel had 80.000 words spread over 13 chapters, the Icelandic version was 92.000 words across 26 chapters.

That was it. No more. Never. I had written and published another novel by this time and it was firmly time to move on.

In October 2022, I was working on finishing my third novel. I design my own covers and as I was working on this, I opened the previous two. The Black Sand one and Blood and Rain. I was happy with Blood and Rain, but the first one I designed… it looked dated. I could probably do better.

I went to work, first replacing the main image, then tweaking the back cover… then removing an element. Before I knew it, I had a complete redesign. Nothing was left of the old. It looked new and fresh.

But the novel itself? Did that still hold up? I couldn’t just republish a new cover? I fired up the old project and started reading. Fixed a couple of things, removed two scenes I always felt slowed the story down and added an opening scene. Something that would take the reader by the hand, lead them into the story. Reading it, all these years later, it felt like I’d thrown them into the deep end. Keep reading and you’ll figure it out. Not so much now. At least, that’s the idea. It was still 80.000 words, but spread across 27 chapters.

As I finished the editing, I decided it was time to say goodbye to the one thing that had stayed unchanged since the short film days. The typeface. I replaced the old and trusted font on the cover, replaced it with soething more modern, something cleaner.

And that was it. A new book. It felt fresh and new. I could now show it to people again.

So when is a work finished? It never is. Sure, creating an outline and writing the first and second drafts is a great deal and everything is fluent. Subsequent revisions are a matter of diminishing returns. There comes a point where you think, any work I put into this from now on isn’t going to change a whole lot. Time to let it go.

I’m sure a painter or a musician would say the same thing.

Looking at it years later meant I was reading it almost like someone that hasn’t read it before. Some things I’d forgotten, some were, oh yeah. I remember that. But most importantly, I read it objectively, saw a few flaws and fixed them, saw the scenes that added nothing and were potentially tedious, and saw where a bit of extra info was needed.

That’s it. Under the Black Sand is done. I will never look at it again. I think.

It’s (not) All About the Money

by Leave a Comment

I have decided to stop charging for my books.

Writing is a passion. Certainly in the beginning, before you build an audience. You write because there are voices, people and stories in your head that want to get out into the world.

If you’re lucky, you sell a million books and can make a living from your passion. I never reached that. I’m not sure if it’s a good thing or not. I remember when I started making films and videos for a living, my hobby became a source of income and I was forced to make more videos and films. The magic was gone.

Would that have happened in writing? I’m not sure. Writing involves less people and I can do whatever I please. This probably changes as you hit a nerve and build an audience and have to please them in some way. But as a hobby writer without an audience to speak of, I could write whatever I wanted. It remained fun up until the end.

My first novel dealt with an Icelandic business man entangled in seemingly supernatural events. It was a story that just came into being, I was just there to write it. My second dealt with the Spanish Civil War because I was interested in that at the time. My third (unpublished) took a look at life in Amsterdam in the final year before World War Two broke out.

Recently, I created a medeaval world where the gods interfere with the lives of the people, where the church and king try to retain power and the kids try to break out of their routine lives, either by joining the army or planning a revolt against the gods and king. I never finished that.

Those are all wildly different projects. I’m not sure if it’s because my interests are all over the place (they are) or if I haven’t found my voice or niche. Knowing myself, once I’d found my niche, I would try to break out of it.

There is a problem. I don’t have the time to explore my voice, my audience or thoughts in general. A full time job, family and the usual stuff leaves little time to write. That’s why it takes three years to write novels, why I don’t have time to properly publish them. It is the reason why I finish a draft and then leave it for a year or more until looking at it again. Blood and Rain was as good as ready in early 2016 but was published a year later. Mont Noir, the Amsterdam based novel, could have been published in 2018, but… you get it.

Up until now, I have sold my books at low prices. I’m not in it for the money and they don’t sell enough to make a difference to my finances. So, I came to a conclusion.

From today, all my books will be free. They will cost you nothing. I don’t care if I earn €2.99 per book or nothing at all. My job pays me, so my books don’t have to.

If you always wanted to read my novels but never had the money, now is the chance. The price has been implemented at Smashwords and should trickle to other retailers in the coming hours.

Thanks for your support.